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Teleplays: Your Guide to TV Scriptwriting

Read, study, and download television scripts.

Welcome to the TV wing of the library. 8FLiX hosts teleplays from across eras and formats, from classic network episodes to modern streaming scripts. If you’re studying episodic structure, this is where the page gets interesting.

TV Teleplays teach a different kind of discipline than film: act breaks, rhythm, story engines, scene economy, and dialogue built to carry character week after week. Read a few back-to-back and you’ll start seeing the machinery under the storytelling.

Our long-term goal is to build one of the most complete privately held script libraries anywhere, and keep it accessible. Every visit supports that mission by keeping the library visible and used.

Now let’s talk teleplays.


What We Mean By "Teleplay"

It is exactly what it is.

A TV teleplay is a script written for, you guessed it, television. In practice it’s close to a screenplay, but built for episodic storytelling and production realities. Depending on the show, the format can reflect single-camera or multi-camera conventions, and sometimes includes act breaks tied to network pacing.

Like screenplays, teleplays use an industry-standard layout that performers and crews can read quickly, which is exactly why they’re such a useful tool for writers: you’re studying a working document, not a prose version of the story.

Next, let’s look at how TV scripting has evolved over the last two decades.

TV Teleplays: Explained

Like screenplays, but built for episodes.

Classic network teleplays often organize scenes into short ACTS, with a teaser (cold open) up front and a tag/closer near the end. Act breaks frequently land on a reveal, a turn, or a mini cliffhanger, originally designed around commercial breaks.

Look at multi-camera staples like Friends and Seinfeld and you’ll see that structure in action: compressed scenes, clear act movement, and punchy beats that reset momentum.

An episode might have three, four, or more acts, plus a teaser and a tag. Once you know what to look for, you can “feel” the pacing on the page.

Introducing: the New “Teleplay”

Compare a 1990s network teleplay to a modern streaming script and the difference is immediate. Many streamer teleplays drop traditional act breaks, run longer scenes, and read closer to feature screenplays.

That doesn’t mean the old structure disappeared. Sitcoms, procedurals, and plenty of network dramas still use traditional formatting because the rhythm works. But understanding both styles makes you more fluent, especially if you’re writing across formats.

For a deeper breakdown of screenplay vs teleplay vs stageplay, Final Draft has a solid explainer (not sponsored): read their articles.


Ready to Get Started?

Dig into the library.

Okay, now that you're up-to-speed, have a look at some of what 8FLiX has available. Let these teleplays be your guide to TV scriptwriting.

Read and download original TV teleplays.
Read and download official movie scripts and screenplays.
Adolescence — scripts available to read and download for free at 8FLiX

Adolescence #103 “Episode #1.3” Teleplay

Image of Theo James as Eddie Horniman, Kaya Scodelario as Susie Glass, and Daniel Ings as Freddy Horniman from the Netflix series The Gentlemen. Read the scripts.

The Gentlemen #101 “Refined Aggression” Teleplay

Image of Vedette Lim as Vera Ye in episode 101 of 3 Body Problem. Read the teleplay.

3 Body Problem #101 “Countdown” Teleplay

Image of Louis Hofmann as Werner and Aria Mia Loberti as Marie-Laure, embracing each other after meeting for the first time, from episode 4 of the Netflix series All the Light We Cannot See. Read the teleplay.

All the Light We Cannot See #104 “Episode 4” Teleplay

Image of Aria Mia Loberti as Marie-Laure, sitting in front of a shortwave radio microphone in WWII France, from episode 3 of the Netflix series All the Light We Cannot See. Read the teleplay.

All the Light We Cannot See #103 “Episode 3” Teleplay

Image of Aria Mia Loberti as Marie-Laure, standing in front of a warmly lit but damaged carousel in the middle of a bombed-out city street in WWII Paris, from episode 2 of the Netflix series All the Light We Cannot See. Read the teleplay.

All the Light We Cannot See #102 “Episode 2” Teleplay

Image of Louis Hofmann as Werner, a young Nazi soldier in WWII France, sitting in front of a shortwave radio, from episode 1 of the Netflix series All the Light We Cannot See. Read the teleplay.

All the Light We Cannot See #101 “Episode 1” Teleplay

Image of John Malkovich as Reeves Minot sitting at a Café table in Italy, from the Netflix series Ripley. Read the episode 8 teleplay, Narcissus.

Ripley #108 “VIII – NARCISSUS” Teleplay

Image of Andrew Scott as Tom Ripley looking away from nearby police officers, from the Netflix series Ripley. Read the episode 7 teleplay, Macabre Entertainment.

Ripley #107 “VII – MACABRE ENTERTAINMENT” Teleplay

Image of Dakota Fanning as Marge Sherwood sitting at desk writing a letter, from the Netflix series Ripley. Read the episode 6 teleplay, Some Heavy Instrument.

Ripley #106 “VI – SOME HEAVY INSTRUMENT” Teleplay


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