"Sorry, Baby" — Read The Screenplay Eva Victor
Two Friends. One Secret. No Easy Apologies.
Eva Victor’s "Sorry, Baby" opens with friendship and snow, and ends with silence and reckoning. What starts as a cozy reunion between two grad school friends in a cottage becomes a haunting exploration of sexual violence, memory, and female solidarity. Through sharp humor and unbearable quiet, Victor dissects the way women metabolize harm — socially, professionally, and privately — in a world that prefers politeness over justice.
A screenplay as funny as it is devastating, "Sorry, Baby" balances tenderness with fury, building to an ending that feels less like resolution and more like release.
"Sorry, Baby" — Educator Resources & Study Guide
After the Bad Thing: Writing Truth Without Spectacle.
With "Sorry, Baby," Eva Victor delivers a blueprint in tone -- a script that moves from banter to breakdown without losing truth or empathy. It’s a story about what happens after the bad thing, when survivors are left to navigate bureaucracy, friendship, and their own reflection. The writing is precise, intimate, and quietly radical in its refusal to sensationalize trauma.
For students and writers, it’s a study in narrative restraint and emotional realism -- how to write horror without a monster, and healing without resolution.
Sorry, Baby (2025) — Classroom Study
Eva Victor’s "Sorry, Baby" begins like a reunion movie and ends like a confession. Two old friends spend a weekend together after one accuses a mutual acquaintance -- and former partner -- of sexual assault. What follows isn’t courtroom drama; it’s emotional dissection. Victor’s writing thrives in the small moments -- a long pause, a half-joke, a glass of wine poured too carefully. The film asks what healing looks like when justice never arrives, and how friendship bears the weight of unspoken trauma. For screenwriting students, this script demonstrates how to write truth without spectacle and how to turn silence into narrative power.
- Ethical storytelling in trauma narratives.
- Humor as coping mechanism in dramatic writing.
- Depicting friendship under moral strain.
- Writing female voices with authenticity.
- The narrative power of absence and silence.
"Sorry, Baby" One Sheet & Script Intel
Something bad happened to Agnes. But life goes on...for everyone around her, at least. When her beloved best friend comes to visit, Agnes recognizes just how stuck she still is and begins to take her first steps towards healing. A24
| Type | ... |
FYC
|
| Version | ... | Finalv.2 |
| Date | ... | 04.09.2025 |
| Pages | ... | 116 |
| Genres | ... | Comedy Drama Empowered Women |
| Screenplay | ... | Eva Victor |
| IMDb ID | ... | 32843349 |
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