The Fosters se3-ep9 script

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The Fosters (2013)

 episode script

season 3 - episode 9
"Idyllwild"

Created by

Bradley Bredeweg
Peter Paige

Written by

Peter Paige
Bradley Bredeweg
Joanna Johnson
Marissa Jo Cerar
Thomas Higgins

Directed by

Joanne Johnson

The Fosters Logo

S03-Ep.09: "Idyllwild"

The family visit Brandon to attend his music competition, and secrets surface during the trip. Meanwhile, Callie questions Carmen and Brooke's motives; and Mike observes something that may bolster Stef's theory about the hit-and-run accident.

TRANSCRIPTION

1
00:00:01,208 --> 00:00:02,250
Man:
PREVIOUSLY ON THE FOSTERS...

2
00:00:02,291 --> 00:00:03,208
I'M ALWAYS GONNA HAVE
FEELINGS FOR YOU,

3
00:00:03,250 --> 00:00:04,667
BUT I DON'T TRUST YOU.

4
00:00:04,709 --> 00:00:06,083
NOTHING'S FINE RIGHT NOW,

5
00:00:06,125 --> 00:00:07,625
INCLUDING MY MARRIAGE.

6
00:00:07,667 --> 00:00:09,417
I DON'T EVEN KNOW
WHAT THAT LITTLE KISS
WAS ABOUT.

7
00:00:09,458 --> 00:00:10,625
IT WAS NOTHING.

8
00:00:10,667 --> 00:00:12,250
I REMEMBER A YOUNG MAN,

9
00:00:12,291 --> 00:00:14,208
AFRICAN AMERICAN,
GOT ON THE BUS.

10
00:00:14,250 --> 00:00:16,792
BLOOD ALL OVER
HIS SHIRT AND FACE.

11
00:00:16,834 --> 00:00:18,041
THAT'S JOE OLSEN,

12
00:00:18,083 --> 00:00:20,208
THE SON OF THE OWNER 
OF THE S.U.V. THAT HIT 
THE KIDS.

13
00:00:20,250 --> 00:00:21,917
DIDN'T YOU SAY THE GUY
ON THE BUS WAS BLACK?

14
00:00:21,959 --> 00:00:24,542
YEAH, BUT THIS JOE OLSEN
SHOWS UP IN THIS PHARMACY

15
00:00:24,583 --> 00:00:26,375
40 MINUTES AFTER
THE ACCIDENT?

16
00:00:26,417 --> 00:00:28,041
I'M SORRY, BUT THAT'S
NOT A COINCIDENCE.

17
00:00:28,083 --> 00:00:30,709
I GOT MY G.E.D. AND I JOIN
THE ARMY IN TWO WEEKS.

18
00:00:30,750 --> 00:00:32,250
CONGRATULATIONS, CARMEN!

19
00:00:32,291 --> 00:00:34,166
THAT'S BEEN YOUR GOAL
FOR, LIKE, SO LONG.

20
00:00:34,208 --> 00:00:36,250
BROOKE AND ME WERE IN A FIGHT

21
00:00:36,291 --> 00:00:37,500
AND RITA CAME UPSTAIRS,

22
00:00:37,542 --> 00:00:39,291
AND THEN SHE HIT ME.

23
00:00:39,333 --> 00:00:40,458
BROOKE?

24
00:00:40,500 --> 00:00:41,709
NO, RITA.

25
00:00:41,750 --> 00:00:42,917
I NEVER LAID
A HAND ON HER.

26
00:00:42,959 --> 00:00:45,000
IT'S TRUE.
RITA PUNCHED HER
IN THE FACE.

27
00:00:47,542 --> 00:00:49,291
SO I DECIDED I'M GONNA
WAIT TO JOIN THE ARMY

28
00:00:49,333 --> 00:00:50,834
TILL AFTER I GRADUATE
HIGH SCHOOL.

29
00:00:50,875 --> 00:00:52,625
BUT YOU GOT YOUR GED.

30
00:00:52,667 --> 00:00:54,291
YEAH, BUT IF THE ARMY
DOESN'T WORK OUT,

31
00:00:54,333 --> 00:00:56,542
SHE CAN PROBABLY GET
A BETTER JOB WITH
A HIGH SCHOOL DIPLOMA.

32
00:00:57,542 --> 00:00:59,667
YOU WANNA SHARE
THE OTHER REASON?

33
00:01:01,417 --> 00:01:02,959
I GUESS...

34
00:01:03,041 --> 00:01:04,750
I'M ALSO SORTA

35
00:01:04,792 --> 00:01:06,250
SHAKEN UP ABOUT RITA

36
00:01:06,291 --> 00:01:07,333
HITTING ME.

37
00:01:07,375 --> 00:01:08,375
WHY ARE YOU LYING?

38
00:01:08,417 --> 00:01:09,583
I'M NOT.

39
00:01:09,625 --> 00:01:11,166
BROOKE HIT YOU.
WHY ARE YOU COVERING
FOR HER?

40
00:01:11,208 --> 00:01:12,208
WHY IS SHE IN GROUP?

41
00:01:12,250 --> 00:01:13,500
SHE'S NOT EVEN PART
OF THE PROGRAM.

42
00:01:13,542 --> 00:01:16,333
EVERYONE WHO LIVES HERE
PARTICIPATES IN GROUP.

43
00:01:16,375 --> 00:01:17,583
WHAT'S SHE GOT ON YOU, CARMEN?

44
00:01:17,625 --> 00:01:19,208
YOU KNOW, I DON'T
APPRECIATE THE ACCUSATION.

45
00:01:19,250 --> 00:01:20,250
Daphne:
SHE WASN'T TALKING TO YOU.

46
00:01:20,291 --> 00:01:21,750
Kiara:
YEAH, LET HER TALK.

47
00:01:21,792 --> 00:01:23,875
WHY, CARMEN? AFTER EVERYTHING
THAT RITA'S DONE FOR YOU.

48
00:01:23,917 --> 00:01:25,041
I DON'T GET IT.

49
00:01:25,083 --> 00:01:26,291
YOU DON'T HAVE
TO GET IT, BITCH.

50
00:01:26,333 --> 00:01:27,625
YOU THE BITCH.

51
00:01:27,667 --> 00:01:29,250
HEY, HEY, HEY!
KIARA, BROOKE,

52
00:01:29,291 --> 00:01:31,041
THAT'S A U.A. FOR BOTH OF YOU.

53
00:01:31,083 --> 00:01:33,375
LIKE, I DON'T EVEN THINK CARMEN
WOULD EVEN COVER FOR BROOKE.

54
00:01:33,417 --> 00:01:34,333
SHE HATES HER.

55
00:01:34,375 --> 00:01:35,959
AND WHAT WOULD
I HAVE ON HER, OKAY?

56
00:01:36,000 --> 00:01:38,375
SHE'S FOREMAN, SHE'S GOT
ALL HER PRIVILEGES.

57
00:01:38,417 --> 00:01:40,041
SHE'S LIKE
THE G.U. POSTER GIRL.

58
00:01:40,083 --> 00:01:42,041
BUT I GOTTA SAY,
THE ARMY'S GONNA
BE YOUR JOB.

59
00:01:42,083 --> 00:01:43,709
WHY DOESN'T SHE WANT
TO GET THE HELL OUT OF HERE?

60
00:01:43,750 --> 00:01:45,417
YEAH, WHY DON'T YOU WANT
TO GET OUT OF HERE, CARMEN?

61
00:01:45,458 --> 00:01:47,333
CAN WE JUST BE DONE WITH ME?

62
00:01:47,375 --> 00:01:48,750
CAN'T SOMEBODY ELSE TALK?

63
00:01:48,792 --> 00:01:50,250
OKAY.

64
00:01:50,291 --> 00:01:51,709
DEE.

65
00:01:51,750 --> 00:01:53,375
GOING HOME FOR THE WEEKEND.

66
00:01:53,417 --> 00:01:55,208
HOW ARE YOU FEELING
ABOUT THAT?

67
00:01:58,375 --> 00:02:01,333
SO THE BUS DRIVER LETS OFF
A BLEEDING, AGITATED GUY

68
00:02:01,375 --> 00:02:02,750
IN FRONT OF A PHARMACY.

69
00:02:02,792 --> 00:02:04,834
AND A LITTLE WHILE LATER...

70
00:02:05,875 --> 00:02:07,250
IN WALKS JOE OLSEN.

71
00:02:07,291 --> 00:02:08,417
SO?

72
00:02:08,458 --> 00:02:10,917
SO WHAT IF THIS GUY
IS A FRIEND OF JOE'S?

73
00:02:10,959 --> 00:02:13,750
WHAT IF JOE LENDS
HIS FATHER'S CAR
TO THE GUY,

74
00:02:13,792 --> 00:02:14,959
HE RUNS A RED LIGHT,

75
00:02:15,000 --> 00:02:17,041
HITS ANA AND THE TWINS
IN THE VOLVO,

76
00:02:17,083 --> 00:02:18,291
AND TAKES OFF?

77
00:02:18,333 --> 00:02:20,709
SO HE GOES DOWN THE ALLEY,
GETS ON THE BUS...

78
00:02:20,750 --> 00:02:22,458
AND GETS OFF IN FRONT
OF THE PHARMACY,
CALLS JOE.

79
00:02:22,500 --> 00:02:24,041
JOE COMES AND SEES
THAT HIS FRIEND IS BLEEDING,

80
00:02:24,083 --> 00:02:26,083
GOES INTO THE PHARMACY
TO GET BANDAGES
OR WHATEVER.

81
00:02:26,125 --> 00:02:27,375
YEAH, BUT, I MEAN...

82
00:02:27,417 --> 00:02:28,709
HE COULD HAVE GOTTEN
THEM FOR HIMSELF.

83
00:02:28,750 --> 00:02:29,792
HE'S GOT THAT CUT
OVER THE EYE.

84
00:02:29,834 --> 00:02:30,959
NO, NO, NO.
THAT'S NOT A FRESH CUT.

85
00:02:31,000 --> 00:02:32,125
THAT'S NOT A FRESH CUT.

86
00:02:32,166 --> 00:02:34,291
AND WHAT IS HE DOING
IN LINDA VISTA 30 MINUTES
AFTER THE ACCIDENT

87
00:02:34,333 --> 00:02:35,875
WHEN HE TOLD US
THAT HE WAS AT WORK?

88
00:02:37,041 --> 00:02:39,417
YOU'VE GOT AN INTERESTING
THEORY, STEF, BUT, I MEAN,

89
00:02:39,458 --> 00:02:41,375
THERE'S NO WAY TO I.D.
THE GUY ON THE BUS

90
00:02:41,417 --> 00:02:42,583
OR CONNECT HIM TO OLSEN.

91
00:02:42,625 --> 00:02:44,000
SO-- (sighs)

92
00:02:45,917 --> 00:02:47,417
SO WHAT YOU'RE SAYING...

93
00:02:47,458 --> 00:02:49,000
YOU HAVE AN INTERESTING THEORY.

94
00:02:50,000 --> 00:02:51,750
-Mike: HEY, YOU ALL SET?
-YEAH.

95
00:02:51,792 --> 00:02:53,417
WE'RE GONNA MISS YOU
AROUND HERE.

96
00:02:53,458 --> 00:02:54,625
I'M GONNA MISS Y'ALL TOO.

97
00:02:54,667 --> 00:02:56,417
AND THANK YOU FOR EVERYTHING
Y'ALL DID FOR ME.

98
00:02:56,458 --> 00:02:57,875
WE WERE HAPPY TO DO IT, A.J.

99
00:02:59,000 --> 00:03:00,375
YOU'RE LEAVING?

100
00:03:00,417 --> 00:03:02,542
YEAH, MIKE FINALLY
GOT HIS FOSTER LICENSE.

101
00:03:02,583 --> 00:03:03,834
DON'T BE A STRANGER.

102
00:03:03,875 --> 00:03:05,041
I WON'T.

103
00:03:05,083 --> 00:03:06,375
YOU OKAY?

104
00:03:06,417 --> 00:03:07,709
YEAH.

105
00:03:07,750 --> 00:03:09,417
I'LL TALK TO YOU LATER.

106
00:03:09,458 --> 00:03:11,375
OKAY. LET'S GO. BYE.

107
00:03:11,417 --> 00:03:12,709
BYE, Y'ALL.

108
00:03:12,750 --> 00:03:14,417
THIS SUCKS.

109
00:03:14,458 --> 00:03:16,375
I MEAN, JESUS IS AT
BOARDING SCHOOL,

110
00:03:16,417 --> 00:03:17,625
CALLIE'S AT GIRLS UNITED,

111
00:03:17,667 --> 00:03:20,041
JUDE'S AT CAMP,
AND BRANDON'S, LIKE, NEVER HERE.

112
00:03:20,083 --> 00:03:21,583
IT'S LIKE I'M AN ONLY CHILD.

113
00:03:21,625 --> 00:03:23,542
WOE IS YOU.

114
00:03:23,583 --> 00:03:25,041
WOE IS ME.

115
00:03:25,083 --> 00:03:27,000
AND NO ONE EVEN CARES
HOW I FEEL.

116
00:03:28,834 --> 00:03:30,625
THAT WAS CALLIE'S SOCIAL WORKER.

117
00:03:30,667 --> 00:03:31,792
YEAH, IS SHE COMING HOME?

118
00:03:31,834 --> 00:03:33,041
NOPE.

119
00:03:33,083 --> 00:03:35,625
APPARENTLY, AFTER SHE SPOKE
WITH CALLIE AND BRANDON,

120
00:03:35,667 --> 00:03:38,709
SHE FOUND SOME
INCONSISTENCIES SHE WOULD
LIKE TO DISCUSS WITH US.

121
00:03:41,792 --> 00:03:44,000
(theme music playing)

122
00:03:45,083 --> 00:03:48,000
♪ IT'S NOT WHERE
YOU COME FROM ♪

123
00:03:48,041 --> 00:03:51,083
♪ IT'S WHERE YOU BELONG ♪

124
00:03:51,125 --> 00:03:53,917
♪ NOTHING I WOULD TRADE ♪

125
00:03:53,959 --> 00:03:57,709
♪ I WOULDN'T HAVE IT
ANY OTHER WAY ♪

126
00:03:57,750 --> 00:04:00,875
♪ YOU'RE SURROUNDED 
BY LOVE ♪

127
00:04:00,917 --> 00:04:03,041
♪ AND YOU'RE WANTED ♪

128
00:04:03,083 --> 00:04:06,542
♪ SO NEVER FEEL ALONE ♪

129
00:04:06,583 --> 00:04:08,583
♪ YOU'RE HOME WITH ME ♪

130
00:04:08,625 --> 00:04:11,583
♪ RIGHT WHERE YOU BELONG ♪

131
00:04:23,667 --> 00:04:24,959
YOU'VE GOT PRETTY HAIR.

132
00:04:26,083 --> 00:04:27,417
THANKS.

133
00:04:29,458 --> 00:04:31,417
YOU'VE GOT A PRETTY FACE, TOO.

134
00:04:32,500 --> 00:04:34,959
IS THAT WHAT YOU
CAME IN HERE TO TELL ME?

135
00:04:35,000 --> 00:04:36,709
HOW PRETTY I AM?

136
00:04:36,750 --> 00:04:38,542
I WANT YOU GONE.

137
00:04:38,583 --> 00:04:40,417
YOU'RE NOT ON PROBATION,
YOU DON'T GOT TO BE HERE.

138
00:04:40,458 --> 00:04:41,834
BUT I WANT TO BE HERE.

139
00:04:41,875 --> 00:04:43,458
I'M GETTING OUT OF HERE
IN A FEW WEEKS,

140
00:04:43,500 --> 00:04:45,166
AND IF THAT DOESN'T HAPPEN
BECAUSE OF YOU,

141
00:04:45,208 --> 00:04:47,625
MY BOYFRIEND'S GONNA
CUT THAT PRETTY LITTLE
FACE OF YOURS.

142
00:04:47,667 --> 00:04:49,458
WHY ARE YOU SO
WORRIED ABOUT ME?

143
00:04:49,500 --> 00:04:51,458
IF YOU DIDN'T HIT CARMEN?

144
00:04:51,500 --> 00:04:53,041
I'M NOT WORRIED
ABOUT YOU.

145
00:04:53,083 --> 00:04:54,709
I JUST DON'T LIKE YOU.

146
00:04:54,750 --> 00:04:56,583
THAT HURTS MY FEELINGS.

147
00:04:56,625 --> 00:04:57,834
YOU THINK THIS IS A JOKE?

148
00:04:57,875 --> 00:04:59,041
NO.

149
00:04:59,083 --> 00:05:00,917
I THINK YOU ARE.

150
00:05:04,041 --> 00:05:05,709
AS YOU ALL KNOW,

151
00:05:05,750 --> 00:05:07,750
ON SATURDAY,
YOU'LL BE PERFORMING...

152
00:05:07,792 --> 00:05:08,959
I NEED TEN HOURS
WITH JIN.

153
00:05:09,000 --> 00:05:10,542
TEN? AND WHEN
DO I GET HIM?

154
00:05:10,583 --> 00:05:11,583
MORNINGS AND NIGHTS.

155
00:05:11,625 --> 00:05:12,625
AND YOU GET DAYS?

156
00:05:12,667 --> 00:05:13,667
I HAVE TO DRIVE
BACK AND FORTH.

157
00:05:13,709 --> 00:05:14,458
THAT'S NOT MY PROBLEM.

158
00:05:14,500 --> 00:05:15,875
EXCUSE ME, GENTLEMEN.

159
00:05:15,917 --> 00:05:17,041
YOU MIGHT WANT
TO PAY ATTENTION.

160
00:05:17,083 --> 00:05:18,333
Both:
SORRY.

161
00:05:18,375 --> 00:05:21,041
WHAT THE JUDGES ARE LOOKING FOR
IS THE "GOOSE BUMP" FACTOR.

162
00:05:21,083 --> 00:05:25,667
SO, COMPOSERS, PLEASE WORK
WITH YOUR PIANIST'S PERFORMANCE.

163
00:05:25,709 --> 00:05:28,709
THE PASSION OF THE PLAY,
NOT JUST THE PROFICIENCY.

164
00:05:28,750 --> 00:05:30,875
OKAY? LET'S GET TO WORK.
CLOCK'S TICKING.

165
00:05:32,083 --> 00:05:33,583
SIX HOURS.

166
00:05:33,625 --> 00:05:34,834
SIX HOURS?
THAT SUCKS.

167
00:05:34,875 --> 00:05:36,750
YOU WOULDN'T BE HERE
IF IT WASN'T FOR ME.

168
00:05:36,792 --> 00:05:38,959
YEAH, AND YOU WOULDN'T HAVE
A PREPARED PIANO PIECE
IF YOU HADN'T RIPPED ME OFF.

169
00:05:39,000 --> 00:05:40,792
BRANDON, CAN I GET
A WORD?

170
00:05:40,834 --> 00:05:41,917
SURE.

171
00:05:46,083 --> 00:05:48,041
YOU HAD A ROUGH START
HERE AT IDYLLWILD.

172
00:05:48,083 --> 00:05:50,000
WELL, YEAH, BUT
THAT'S BECAUSE--

173
00:05:50,041 --> 00:05:51,166
YOU HAVE A BIG EGO.

174
00:05:52,792 --> 00:05:55,083
THAT'S A GOOD THING
TO HAVE AS AN ARTIST.
EMBRACE IT.

175
00:05:55,125 --> 00:05:57,000
AND KNOW THAT
YOU'RE EXCEPTIONAL.

176
00:05:58,083 --> 00:05:59,041
THANK YOU.

177
00:05:59,083 --> 00:06:00,959
DO YOU BELIEVE
YOU CAN WIN THIS THING?

178
00:06:01,000 --> 00:06:02,041
DO YOU?

179
00:06:02,083 --> 00:06:05,041
I MEAN, YES.
YES, I DO.

180
00:06:05,083 --> 00:06:06,667
GOOD.

181
00:06:06,709 --> 00:06:08,166
SO DO I.

182
00:06:12,125 --> 00:06:13,792
WHAT KIND OF INCONSISTENCIES?

183
00:06:13,834 --> 00:06:15,041
SHE DIDN'T SAY.

184
00:06:15,083 --> 00:06:16,542
SHE WANTS TO TALK
TO SOME OF THE GIRLS

185
00:06:16,583 --> 00:06:18,041
THAT WERE HERE WITH
YOU AT THE SAME TIME.

186
00:06:18,083 --> 00:06:21,041
THE ONLY GIRLS LEFT
ARE DAPHNE AND KIARA.

187
00:06:21,083 --> 00:06:22,709
AND CARMEN.

188
00:06:23,709 --> 00:06:25,041
HOW'S IT GOING WITH HER?

189
00:06:25,083 --> 00:06:26,583
FINE.

190
00:06:26,625 --> 00:06:27,583
AND BROOKE?

191
00:06:27,625 --> 00:06:28,834
YEAH.

192
00:06:30,208 --> 00:06:32,208
(sighs)

193
00:06:32,250 --> 00:06:34,625
HOPEFULLY, THIS IS THE LAST
HURDLE WE HAVE TO JUMP OVER
AND THEN YOU CAN COME HOME.

194
00:06:35,667 --> 00:06:38,041
HAVE YOU HEARD WHAT'S
HAPPENING WITH RITA?

195
00:06:38,083 --> 00:06:39,291
NO.

196
00:06:39,333 --> 00:06:41,041
NO CHARGES HAVE BEEN
BROUGHT AGAINST HER.

197
00:06:41,083 --> 00:06:44,583
SO FAR, AS FAR AS I KNOW,
THE D.A. IS STILL
INVESTIGATING, SO...

198
00:06:44,625 --> 00:06:46,083
CARMEN'S LYING.

199
00:06:46,125 --> 00:06:48,125
I THINK THAT YOU'RE
PROBABLY RIGHT,

200
00:06:48,166 --> 00:06:50,083
BUT IT'S NOT YOUR JOB
TO FIND OUT WHY.

201
00:06:50,125 --> 00:06:52,041
OKAY? YOU HAVE TO KEEP
YOUR HEAD DOWN

202
00:06:52,083 --> 00:06:54,041
UNTIL WE CAN GET YOU HOME.

203
00:06:54,083 --> 00:06:55,625
YOU CANNOT GET INTO
IT WITH THESE GIRLS.

204
00:06:55,667 --> 00:06:57,542
JUST A FEW DAYS
TILL THE COURT DATE.

205
00:06:58,709 --> 00:07:00,375
THIS TIME NEXT WEEK,
YOU'LL BE ADOPTED.

206
00:07:00,417 --> 00:07:03,041
NO ONE CAN TAKE YOU
AWAY FROM US EVER AGAIN.

207
00:07:03,083 --> 00:07:04,625
I LOVE YOU.

208
00:07:04,667 --> 00:07:06,208
I LOVE YOU, TOO.

209
00:07:09,709 --> 00:07:11,000
YOU HANG IN THERE.

210
00:07:12,041 --> 00:07:13,625
SHE'S BEEN AT MY PLACE
ALMOST EVERY NIGHT.

211
00:07:13,667 --> 00:07:15,041
I MEAN, THE SEX IS GREAT.

212
00:07:15,083 --> 00:07:16,834
(chuckles) REALLY GREAT.

213
00:07:16,875 --> 00:07:18,417
I CAN HEAR YOU.

214
00:07:18,458 --> 00:07:20,166
AND I REALLY DON'T WANT
TO PICTURE THE PRINCIPAL
OF MY SCHOOL

215
00:07:20,208 --> 00:07:21,875
HAVING SEX WITH ONE OF
MY MOM'S FRIENDS.

216
00:07:21,917 --> 00:07:22,917
PLEASE.

217
00:07:22,959 --> 00:07:24,709
SORRY. SORRY!

218
00:07:24,750 --> 00:07:26,667
THE THING IS, MONTE,

219
00:07:26,709 --> 00:07:28,917
SHE'S NOT LIKE
YOUR TYPICAL LESBIAN.

220
00:07:28,959 --> 00:07:30,709
SHE DOESN'T TALK
ABOUT HER FEELINGS.

221
00:07:30,750 --> 00:07:33,125
I THINK IT'S BECAUSE
SHE'S USED TO DATING GUYS.

222
00:07:33,166 --> 00:07:35,834
SO SHE'S PLAYING HER CARDS
REALLY CLOSE TO HER CHEST.

223
00:07:36,834 --> 00:07:38,375
AND IT'S A GREAT CHEST.

224
00:07:38,417 --> 00:07:39,834
LET ME TELL YOU.

225
00:07:39,875 --> 00:07:41,709
OKAY, I'M GONNA GO
UPSTAIRS.

226
00:07:41,750 --> 00:07:43,750
MM, IT WAS GREAT
TO SEE YOU, SWEETHEART.

227
00:07:43,792 --> 00:07:46,959
THE THING IS,
I AM FALLING IN LOVE
WITH THIS WOMAN.

228
00:07:47,000 --> 00:07:49,709
AND I DON'T EVEN KNOW
IF SHE'S IN LOVE WITH ME.

229
00:07:49,750 --> 00:07:51,542
SO WHAT DO I DO?

230
00:07:51,583 --> 00:07:53,125
HEY, UH, CAN WE RENT ME
A ROOM UP IN IDYLLWILD
FOR THE NEXT TWO DAYS?

231
00:07:53,166 --> 00:07:55,250
UH, CAN YOU SAY
HELLO TO JENNA?

232
00:07:55,291 --> 00:07:56,750
OH, HI, JENNA.

233
00:07:56,792 --> 00:07:59,041
HEY. MONTE AND I
ARE DRIVING UP TO
WATCH YOU PERFORM.

234
00:07:59,083 --> 00:08:00,667
WE ARE VERY EXCITED.

235
00:08:00,709 --> 00:08:02,959
UH, YEAH, I'M ACTUALLY--
I'M NOT PERFORMING,

236
00:08:03,000 --> 00:08:04,041
I'M COMPOSING.

237
00:08:04,083 --> 00:08:05,291
OH.

238
00:08:05,333 --> 00:08:08,041
UH, I JUST--
I DON'T WANT TO BE
LOSING ALL THIS TIME,

239
00:08:08,083 --> 00:08:09,417
YOU KNOW, DRIVING
UP AND BACK.

240
00:08:09,458 --> 00:08:11,000
LET ME TALK TO MOM
ABOUT IT WHEN SHE
GETS BACK, OKAY?

241
00:08:11,041 --> 00:08:12,375
OKAY. ALL RIGHT,
I'LL BE IN THE GARAGE.

242
00:08:12,417 --> 00:08:13,834
UH-HUH.

243
00:08:13,875 --> 00:08:15,417
HEY, DON'T EAT ALL THOSE
CHIPS BEFORE DINNER.

244
00:08:15,458 --> 00:08:16,959
WE'RE ABOUT TO HAVE DINNER!

245
00:08:17,000 --> 00:08:18,041
YOU KNOW WHAT?

246
00:08:18,083 --> 00:08:20,166
I HAVE A FRIEND WHO HAS
A CABIN IN IDYLLWILD.

247
00:08:20,208 --> 00:08:21,834
I BET YOU HE'D
LET US USE IT.

248
00:08:21,875 --> 00:08:23,000
-US?
-YEAH.

249
00:08:23,041 --> 00:08:24,834
BRANDON COULD STAY THERE
TOMORROW NIGHT,

250
00:08:24,875 --> 00:08:26,000
AND THEN,

251
00:08:26,041 --> 00:08:28,208
THE REST OF US COULD
DRIVE UP ON FRIDAY NIGHT

252
00:08:28,250 --> 00:08:30,041
AND WE COULD SPEND
THE WHOLE WEEKEND THERE

253
00:08:30,083 --> 00:08:31,917
LIKE A LITTLE MINI
COUPLES GETAWAY.

254
00:08:31,959 --> 00:08:33,875
WOULDN'T THAT BE FUN?
I'M GONNA CALL HER
RIGHT NOW.

255
00:08:36,041 --> 00:08:37,834
(sighs)

256
00:09:09,083 --> 00:09:10,000
(grunts)

257
00:09:13,000 --> 00:09:14,375
YOU STILL THINK
I'M A JOKE?

258
00:09:14,417 --> 00:09:17,000
NEXT TIME,
YOU'LL BLEED.

259
00:09:22,083 --> 00:09:24,291
YOU'RE LUCKY THAT CRAZY
METH HEAD DIDN'T
RUN YOU DOWN, GIRL.

260
00:09:24,333 --> 00:09:26,041
HOW IS BROOKE EVEN
TALKING TO HER BOYFRIEND?

261
00:09:26,083 --> 00:09:27,917
YOU FOUND A WAY
WHEN YOU WERE HERE.

262
00:09:27,959 --> 00:09:29,792
SHE'S GETTING DRUGS
FROM HIM TOO.

263
00:09:29,834 --> 00:09:30,959
IN G.U.?

264
00:09:31,000 --> 00:09:32,041
I THINK YOU GOTTA BOUNCE.

265
00:09:32,083 --> 00:09:33,875
WHAT ABOUT RITA?

266
00:09:33,917 --> 00:09:35,291
Michelle:
OKAY, GIRLS.
LIGHTS OUT.

267
00:09:36,917 --> 00:09:38,500
LOOK, WE GOT
YOUR BACK,

268
00:09:38,542 --> 00:09:40,792
BUT WE CAN'T WATCH IT
EVERY MINUTE OF THE DAY.

269
00:09:40,834 --> 00:09:42,000
SHE'S RIGHT.

270
00:09:44,041 --> 00:09:45,000
(sighs)

271
00:09:51,291 --> 00:09:52,917
DON'T YOU THINK IT'S WEIRD

272
00:09:52,959 --> 00:09:54,917
CARMEN DECIDED TO WAIT
TO JOIN THE ARMY?

273
00:09:55,917 --> 00:09:57,417
I DON'T KNOW.

274
00:09:57,458 --> 00:09:59,166
MAYBE SHE REALIZED
SHE'S NOT THE HARD-ASS
SHE THOUGHT SHE WAS.

275
00:10:08,500 --> 00:10:10,458
(announcements over P.A.)

276
00:10:10,500 --> 00:10:12,083
EXCUSE ME.

277
00:10:13,125 --> 00:10:14,917
I GOT A CALL
ABOUT MY GRANDMA.

278
00:10:14,959 --> 00:10:16,083
IRIS HENSDALE?

279
00:10:16,125 --> 00:10:17,959
THEY SAID SHE
HAD A STROKE.

280
00:10:33,000 --> 00:10:34,959
A.J.

281
00:10:35,000 --> 00:10:36,083
HEY, GRANDMA.

282
00:10:37,458 --> 00:10:39,000
HOW YOU DOIN'?

283
00:10:40,083 --> 00:10:41,166
I'M JUST FINE.

284
00:10:44,083 --> 00:10:46,917
DO YOU SEE A MAN
STANDING OVER THERE?

285
00:10:46,959 --> 00:10:48,041
YEAH.

286
00:10:48,083 --> 00:10:50,041
OKAY. GOOD.

287
00:10:50,083 --> 00:10:51,875
THAT'S MIKE.

288
00:10:51,917 --> 00:10:53,875
HE'S MY NEW
FOSTER FATHER.

289
00:11:04,125 --> 00:11:06,041
YOU TAKE CARE
OF MY GRANDSON.

290
00:11:07,083 --> 00:11:08,041
I WILL.

291
00:11:31,667 --> 00:11:34,041
SO, I, UH,
I DID SOME RESEARCH.

292
00:11:34,083 --> 00:11:36,125
AND I FOUND OUT THAT

293
00:11:36,166 --> 00:11:39,041
WHEN YOU TAKE YOUR PHYSICAL
TO GET INTO THE ARMY,

294
00:11:39,083 --> 00:11:41,000
THEY DRUG TEST YOU.

295
00:11:42,083 --> 00:11:45,208
THAT'S WHY GETTING
YOUR HIGH SCHOOL DIPLOMA
WAS SUDDENLY SO IMPORTANT.

296
00:11:45,250 --> 00:11:49,458
'CAUSE YOU WERE AFRAID
THAT IF YOU DIDN'T WAIT
A FEW MONTHS,

297
00:11:49,500 --> 00:11:52,041
THEN YOU WOULD TEST POSITIVE
FOR CRYSTAL METH.

298
00:11:52,083 --> 00:11:55,458
THAT'S WHY YOU AND BROOKE
WERE FIGHTING, BECAUSE
YOU TOOK HER DRUGS.

299
00:12:00,250 --> 00:12:02,000
WHY, CARMEN?

300
00:12:03,083 --> 00:12:06,333
YOU WERE SO CLOSE
TO GETTING WHAT YOU WANTED.
WHY DID YOU USE?

301
00:12:08,083 --> 00:12:10,041
I DON'T...
I DON'T KNOW.

302
00:12:12,083 --> 00:12:13,583
HUH.

303
00:12:15,083 --> 00:12:16,542
I WAS HAVING A BAD DAY.

304
00:12:18,083 --> 00:12:19,208
I JUST WANTED
TO GET HIGH.

305
00:12:21,083 --> 00:12:22,083
SO YOU MADE
A MISTAKE.

306
00:12:25,041 --> 00:12:27,041
WHY LIE ABOUT RITA?

307
00:12:27,083 --> 00:12:30,041
BECAUSE IF I SAID
THAT BROOKE HIT ME,
THEN SHE WOULD HAVE TOLD.

308
00:12:30,083 --> 00:12:32,583
AND IF I TEST POSITIVE
FOR DRUGS AT ANY TIME

309
00:12:32,625 --> 00:12:35,709
DURING THE APPLICATION PROCESS,
THEN THAT'S IT.

310
00:12:37,083 --> 00:12:39,417
YOU CAN NEVER JOIN THE ARMY.

311
00:12:39,458 --> 00:12:41,000
SO, YOU HAVE OTHER OPTIONS.

312
00:12:42,083 --> 00:12:43,583
NO, I DON'T.

313
00:12:45,083 --> 00:12:46,417
WHEN YOU'RE IN A GANG,

314
00:12:46,458 --> 00:12:49,041
THEY DON'T JUST LET YOU LEAVE.

315
00:12:49,083 --> 00:12:50,542
SO WHAT ABOUT RITA?

316
00:12:51,583 --> 00:12:53,041
SHE COULD LOSE EVERYTHING.

317
00:12:53,083 --> 00:12:54,500
YOU DON'T CARE
ABOUT HER AT ALL.
318
00:12:54,542 --> 00:12:55,792
I'VE GOT TO CARE
ABOUT ME.

319
00:12:55,834 --> 00:12:58,041
MY MOM'S A COP. SHE COULD
DRUG TEST YOU RIGHT NOW.

320
00:12:58,083 --> 00:13:00,041
(sighs deeply)

321
00:13:00,083 --> 00:13:02,041
IF YOU OUT ME,

322
00:13:02,083 --> 00:13:05,083
I WILL OUT YOU TO THAT
SOCIAL WORKER WHO'S COMING
TO TALK TO US.

323
00:13:05,125 --> 00:13:09,041
WHAT DO YOU THINK WILL HAPPEN
IF I TELL HER YOU AND BRANDON
SNUCK AROUND,

324
00:13:09,083 --> 00:13:10,500
SEEING EACH OTHER
THE WHOLE TIME YOU WERE HERE?

325
00:13:12,083 --> 00:13:15,333
WHAT ABOUT YOU SHOVING
YOUR TONGUE DOWN HIS THROAT
AT THE FUNDRAISER?

326
00:13:15,375 --> 00:13:17,000
YOU STILL THINK
YOU'LL GET ADOPTED?

327
00:13:18,083 --> 00:13:19,250
I THOUGHT WE WERE FRIENDS.

328
00:13:20,250 --> 00:13:22,375
I DON'T HAVE ANY FRIENDS.

329
00:13:25,083 --> 00:13:27,041
AND DON'T THINK FOR A SECOND

330
00:13:27,083 --> 00:13:29,000
I WON'T TAKE YOU
DOWN WITH ME.

331
00:13:33,083 --> 00:13:34,333
(dramatic melody)

332
00:13:42,083 --> 00:13:43,125
OKAY, STOP, STOP.

333
00:13:43,166 --> 00:13:45,041
YOU'RE NOT PLAYING
WITH ANY PASSION.

334
00:13:45,083 --> 00:13:46,709
WELL, IT'S A VERY
DIFFICULT PIECE.

335
00:13:46,750 --> 00:13:49,083
RIGHT, DON'T WORRY
SO MUCH ABOUT THE TECHNIQUE.

336
00:13:49,125 --> 00:13:51,083
JUST... YOU KNOW WHAT
TEMPO RUBATO IS, RIGHT?

337
00:13:51,125 --> 00:13:53,750
OF COURSE,
BUT IT SAYS ALLEGRO.

338
00:13:53,792 --> 00:13:56,041
DON'T BE SO LITERAL.
YEAH, YOU JUST...

339
00:13:56,083 --> 00:13:57,667
FEEL THE MUSIC.

340
00:13:59,083 --> 00:14:01,000
MAYBE IF YOU TOLD ME
WHAT THE PIECE
WAS ABOUT.

341
00:14:02,083 --> 00:14:03,625
UM, OKAY.
IT'S ABOUT...

342
00:14:04,625 --> 00:14:07,041
FALLING IN LOVE
WITH SOMEONE YOU CAN
NEVER BE WITH.

343
00:14:07,083 --> 00:14:08,125
WHY NOT?

344
00:14:09,250 --> 00:14:12,500
WELL, BECAUSE SOMETIMES
IT JUST DOESN'T WORK OUT.

345
00:14:12,542 --> 00:14:14,000
BUT WHY?

346
00:14:15,250 --> 00:14:17,667
UH... HAVE YOU EVER
BEEN IN LOVE?

347
00:14:18,667 --> 00:14:20,041
UH... NO.

348
00:14:20,083 --> 00:14:22,250
HAVE YOU EVER HAD
A RELATIVE DIE?

349
00:14:22,291 --> 00:14:23,375
NO.

350
00:14:23,417 --> 00:14:24,458
A PET?

351
00:14:24,500 --> 00:14:25,667
NO.

352
00:14:25,709 --> 00:14:28,041
HAS ANYTHING BAD
EVER HAPPENED TO YOU?

353
00:14:28,083 --> 00:14:29,041
NOT REALLY.

354
00:14:29,083 --> 00:14:31,083
MY WISDOM TEETH
GOT IMPACTED.

355
00:14:32,083 --> 00:14:33,792
OKAY, LET'S START AGAIN.

356
00:14:33,834 --> 00:14:36,625
NO OFFENSE, BUT THIS PIECE
IS SORT OF A WASTE
OF MY TIME.

357
00:14:36,667 --> 00:14:38,166
A WASTE OF YOUR TIME?

358
00:14:38,208 --> 00:14:39,250
WHAT I MEAN IS THAT--

359
00:14:39,291 --> 00:14:40,500
YOU DON'T THINK
I CAN WIN THIS.

360
00:14:40,542 --> 00:14:42,000
NO. I MEAN YES.

361
00:14:43,083 --> 00:14:44,041
MAYBE.

362
00:14:44,083 --> 00:14:45,750
I DON'T KNOW.

363
00:14:45,792 --> 00:14:48,041
BUT I DON'T THINK
I CAN PLAY THIS PIECE
THE WAY THAT YOU WANT ME TO.

364
00:14:48,083 --> 00:14:49,417
THEN DON'T.

365
00:14:49,458 --> 00:14:51,041
YOU ARE OBVIOUSLY
LOYAL TO TONY.

366
00:14:51,083 --> 00:14:52,875
-WELL--
-DON'T SAY YOU'RE
SWITZERLAND AGAIN.

367
00:14:52,917 --> 00:14:54,208
OKAY.

368
00:14:55,750 --> 00:14:58,041
-SO WHAT AM I DOING?
-YOU'RE GETTING THE HELL
OUT OF HERE.

369
00:15:09,166 --> 00:15:10,166
SO...

370
00:15:10,208 --> 00:15:11,792
HOW'S IT GOING?

371
00:15:12,792 --> 00:15:14,458
(sighs)

372
00:15:14,500 --> 00:15:17,709
Well, someone had to stay 
to drive Callie and Mariana 
up tomorrow.

373
00:15:17,750 --> 00:15:19,458
WHY DID THAT SOMEONE
GET TO BE YOU?

374
00:15:19,500 --> 00:15:21,458
Because I didn't make 
the plan.

375
00:15:21,500 --> 00:15:23,041
-I'M HERE.
-Have fun.

376
00:15:23,083 --> 00:15:24,500
-HI.
-HI.

377
00:15:24,542 --> 00:15:26,208
I'll see you tomorrow. 
Love you.

378
00:15:26,250 --> 00:15:27,542
LOVE YOU TOO.

379
00:15:29,750 --> 00:15:31,500
OH, IT'S BEAUTIFUL UP HERE.

380
00:15:31,542 --> 00:15:32,834
RIGHT?

381
00:15:32,875 --> 00:15:34,583
IT'S NICE TO HAVE
FRIENDS WITH FRIENDS
WITH CABINS.

382
00:15:35,709 --> 00:15:37,125
-WHERE'S JENNA?
-UH...

383
00:15:37,166 --> 00:15:38,709
SHE HAD SOME P.R. CRISIS,

384
00:15:38,750 --> 00:15:40,166
SO SHE'S GONNA DRIVE UP TONIGHT.

385
00:15:40,208 --> 00:15:41,792
OH.

386
00:15:41,834 --> 00:15:44,083
WELL, BRANDON IS REHEARSING,
SO I GUESS IT'S JUST US
FOR DINNER.

387
00:15:44,125 --> 00:15:46,458
WELL, I BROUGHT

388
00:15:46,500 --> 00:15:49,792
GRASS-FED, ANTIBIOTIC-FREE,
PRACTICALLY HEALTHY STEAKS.

389
00:15:49,834 --> 00:15:51,750
OH, I BROUGHT...

390
00:15:52,750 --> 00:15:54,709
A SIX PACK OF WINE.

391
00:15:54,750 --> 00:15:56,667
IT WAS BUY FIVE,
GET ONE FREE.

392
00:15:59,166 --> 00:16:01,166
(both laughing)

393
00:16:02,417 --> 00:16:03,917
WHAT AM I GONNA DO?

394
00:16:03,959 --> 00:16:06,250
I MEAN, THIS WHOLE
EXPERIENCE HAS SUCKED
FROM DAY ONE.

395
00:16:06,291 --> 00:16:09,250
I MEAN, I THOUGHT
THIS WAS A CAMP,
NOT A COMPETITION.

396
00:16:09,291 --> 00:16:11,000
AND I THOUGHT
I WAS HERE TO PLAY PIANO.

397
00:16:11,041 --> 00:16:12,250
SO DO IT.
PLAY PIANO.

398
00:16:12,291 --> 00:16:14,583
I CAN'T PLAY MY OWN PIECE.
THEY WON'T LET ME.

399
00:16:14,625 --> 00:16:15,959
THEN DON'T ASK.

400
00:16:16,000 --> 00:16:17,750
WELL, AND ALSO, I JUST
TECHNICALLY CAN'T PLAY IT.

401
00:16:17,792 --> 00:16:19,125
OKAY? I DON'T
HAVE THE REACH.

402
00:16:19,166 --> 00:16:21,083
I MEAN, SINCE MY HAND
GOT CRUSHED IN A CAR DOOR--

403
00:16:21,125 --> 00:16:23,750
OH, SO WHAT YOU WANT
IS TO FEEL SORRY
FOR YOURSELF.

404
00:16:23,792 --> 00:16:25,166
IS THAT IT?

405
00:16:25,208 --> 00:16:26,291
OH, THANK YOU
FOR YOUR SUPPORT.

406
00:16:26,333 --> 00:16:28,375
HEY! HEY, COME ON,
DON'T BE...

407
00:16:28,417 --> 00:16:29,959
HEY! HEY!

408
00:16:30,000 --> 00:16:33,208
I TOOK A DAY OFF TOUR
TO COME SUPPORT YOU,

409
00:16:33,250 --> 00:16:36,166
BUT IF YOU JUST WANNA WHINE,
THAT'S OKAY TOO.

410
00:16:38,041 --> 00:16:41,792
SERIOUSLY, THIS PIECE I WROTE
IS JUST VERY DIFFICULT.

411
00:16:42,834 --> 00:16:45,458
OKAY? I WOULD NEED, LIKE,
AN EXTRA HAND TO DO IT.

412
00:16:46,625 --> 00:16:48,041
THAT CAN BE ARRANGED.

413
00:16:49,417 --> 00:16:51,542
SO IF CARMEN TELLS
THE SOCIAL WORKER
THAT I KISSED BRANDON

414
00:16:51,583 --> 00:16:53,875
A FEW MONTHS AGO,
I'LL NEVER GET ADOPTED.

415
00:16:53,917 --> 00:16:55,834
OKAY, LOOK.
RITA HASN'T BEEN
CHARGED YET.

416
00:16:55,875 --> 00:16:57,792
SHE MAY NEVER BE.

417
00:16:57,834 --> 00:17:00,250
IT'S NOT LIKE YOU HAVE
ANY PROOF. IT'S STILL GONNA
BE YOUR WORD AGAINST CARMEN'S.

418
00:17:00,291 --> 00:17:01,333
NO, IT WON'T.

419
00:17:01,375 --> 00:17:03,041
I RECORDED HER.

420
00:17:03,083 --> 00:17:04,458
ON WHAT?

421
00:17:05,709 --> 00:17:07,208
YOU GOT YOUR PHONE?

422
00:17:07,250 --> 00:17:08,750
YEAH.

423
00:17:08,792 --> 00:17:10,375
STEF GOT MICHELLE TO LET ME
HAVE IT IF I KEPT IT A SECRET.

424
00:17:10,417 --> 00:17:11,834
SO...

425
00:17:11,875 --> 00:17:13,625
I RECORDED HER SAYING
THAT BROOKE HIT HER.

426
00:17:14,625 --> 00:17:15,917
HEY.

427
00:17:15,959 --> 00:17:17,709
SO I CAN'T HELP NOTICING
YOU'RE STILL HERE.

428
00:17:17,750 --> 00:17:19,917
CALLIE'S LEAVING TOMORROW.
YOU GOOD WITH THAT?

429
00:17:19,959 --> 00:17:21,667
TOMORROW WORKS.

430
00:17:27,458 --> 00:17:28,959
(both chuckle)

431
00:17:29,000 --> 00:17:31,291
OH, EXCUSE ME.
I DON'T THINK
YOU SIGNED IN.

432
00:17:31,333 --> 00:17:32,500
I'M LEAVING NOW.

433
00:17:32,542 --> 00:17:34,542
IT'S OUR POLICY,
ALL VISITORS HAVE TO SIGN IN.

434
00:17:41,375 --> 00:17:43,041
I'LL STICK AROUND.

435
00:17:43,083 --> 00:17:44,458
TILL GRAM IS OUT
OF THE WOODS.

436
00:17:44,500 --> 00:17:46,041
THEN I'M GONE.

437
00:17:46,083 --> 00:17:47,917
PLEASE DON'T GO, TY.

438
00:17:47,959 --> 00:17:49,834
YOU CAN STAY HERE,

439
00:17:49,875 --> 00:17:51,166
AND WE CAN SEE
EACH OTHER ANYTIME.

440
00:17:51,208 --> 00:17:52,875
YOU MADE YOUR CHOICE.

441
00:18:04,333 --> 00:18:05,875
TY, HOLD UP!

442
00:18:07,542 --> 00:18:09,208
(sighs) LOOK,

443
00:18:09,250 --> 00:18:11,250
I'M NOT TRYING TO GET BETWEEN
YOU AND YOUR BROTHER--

444
00:18:11,291 --> 00:18:12,333
YOU ALREADY DID.

445
00:18:12,375 --> 00:18:13,750
I'M JUST TRYING
TO GIVE HIM A HOME.

446
00:18:13,792 --> 00:18:14,834
I'M HIS HOME!

447
00:18:14,875 --> 00:18:16,166
WELL, THEN STAY.
HE NEEDS YOU.

448
00:18:17,667 --> 00:18:18,959
TAKE CARE OF HIM.

449
00:18:27,250 --> 00:18:29,000
HEY, TY,
HOLD UP.

450
00:18:31,667 --> 00:18:33,166
GOOD LUCK.

451
00:18:35,291 --> 00:18:36,583
HOW YOU DOIN'?

452
00:18:36,625 --> 00:18:38,000
HI.

453
00:18:39,083 --> 00:18:40,625
TAKE CARE.

454
00:18:43,792 --> 00:18:46,041
EVERYTHING ALL RIGHT?

455
00:18:46,083 --> 00:18:48,417
YEAH. YEAH, I TRIED
TO TALK TO HIM.

456
00:18:48,458 --> 00:18:50,875
UH, LISTEN, I LEFT
MY JACKET INSIDE.
I'LL BE RIGHT BACK.

457
00:19:13,041 --> 00:19:14,375
(laughing) WAIT, WHAT ABOUT

458
00:19:14,417 --> 00:19:18,041
SENORITA ROSARITA ROCHIN?

459
00:19:18,083 --> 00:19:19,750
(both laugh)

460
00:19:19,792 --> 00:19:21,875
WHAT ABOUT HER WIG,
MORE IMPORTANTLY?

461
00:19:21,917 --> 00:19:23,875
IT'S ALWAYS A LITTLE
OFF KILTER.

462
00:19:23,917 --> 00:19:25,458
(both laughing)

463
00:19:26,625 --> 00:19:29,291
BUT, YOU KNOW,
SHE'S AN EXCELLENT TEACHER.

464
00:19:29,333 --> 00:19:31,000
-TOTALLY. SHE IS.
-YES.

465
00:19:35,792 --> 00:19:38,041
SO, UM, HOW ARE THINGS
GOING WITH JENNA?

466
00:19:38,083 --> 00:19:39,709
UM...

467
00:19:40,709 --> 00:19:42,041
WELL...

468
00:19:42,083 --> 00:19:44,000
I LIKE HER, A LOT.

469
00:19:45,083 --> 00:19:46,041
SO...

470
00:19:46,083 --> 00:19:48,709
I DON'T KNOW, I THINK HER
FEELINGS MIGHT BE

471
00:19:48,750 --> 00:19:51,834
PROGRESSING A LITTLE
FASTER THAN MINE.

472
00:19:53,083 --> 00:19:54,500
AND, UM...

473
00:19:54,542 --> 00:19:56,542
HOW ARE YOU FINDING
DATING A WOMAN,

474
00:19:56,583 --> 00:19:58,041
IN GENERAL?

475
00:19:58,083 --> 00:20:00,041
IT'S DIFFERENT.

476
00:20:00,083 --> 00:20:02,041
UM... YEAH, IT'S--

477
00:20:02,083 --> 00:20:05,583
I LIKE THE EMOTIONAL
CONNECTION, AND, UM,
I LIKE...

478
00:20:07,458 --> 00:20:09,000
I LIKE HAVING SEX
WITH A WOMAN.

479
00:20:11,375 --> 00:20:12,667
(both laugh)

480
00:20:12,709 --> 00:20:14,000
-THERE'S THAT.
-THERE'S THAT.

481
00:20:16,375 --> 00:20:17,625
OKAY, WELL,

482
00:20:17,667 --> 00:20:20,417
MAYBE, YOU KNOW, YOU JUST
NEED A LITTLE MORE TIME.

483
00:20:20,458 --> 00:20:24,375
MAYBE. OR, YOU KNOW, MAYBE
SHE'S JUST NOT THE RIGHT
WOMAN FOR ME.

484
00:20:31,500 --> 00:20:34,083
NOW, IF I THOUGHT
I HAD A CHANCE
WITH SENORITA...

485
00:20:34,125 --> 00:20:36,625
Both: ROSARITA ROCHIN.

486
00:20:37,625 --> 00:20:38,959
I WAS GONNA END UP SAYING--

487
00:20:39,000 --> 00:20:40,041
-HEY!
-OH!

488
00:20:40,083 --> 00:20:41,500
HI.

489
00:20:41,542 --> 00:20:43,083
WHAT'S SO FUNNY?

490
00:20:43,125 --> 00:20:44,417
NOTHING.

491
00:20:44,458 --> 00:20:45,625
HI. HI, HI, HI.

492
00:20:45,667 --> 00:20:47,000
OH, HI.

493
00:20:47,041 --> 00:20:48,041
HOW WAS YOUR DRIVE?

494
00:20:48,083 --> 00:20:49,834
UM, UH, IT WAS FINE.

495
00:20:49,875 --> 00:20:51,041
-YEAH? WAS THERE
A LOT OF TRAFFIC?

496
00:20:51,083 --> 00:20:52,542
IT WAS LONG.

497
00:20:52,583 --> 00:20:53,625
IT WAS LONG? YEAH.

498
00:20:53,667 --> 00:20:55,417
HOW ABOUT
A GLASS OF WINE?

499
00:20:55,458 --> 00:20:56,750
UM...

500
00:20:56,792 --> 00:20:58,041
-YES.
-YES, YOU DO.

501
00:20:58,083 --> 00:20:59,583
-YES, YOU NEED
TO CATCH UP.

502
00:20:59,625 --> 00:21:03,875
YEAH, I COULD DEFINITELY
USE A... DRINK.

503
00:21:07,667 --> 00:21:11,000
IF EVERYONE COULD PLEASE
TAKE THEIR SEATS, WE'RE
ABOUT TO BEGIN.

504
00:21:12,083 --> 00:21:14,083
HOW'S MIKE'S?
YOU MISS US?

505
00:21:14,125 --> 00:21:15,500
NO.

506
00:21:15,542 --> 00:21:16,959
MAYBE A LITTLE.

507
00:21:17,000 --> 00:21:18,375
CONGRATULATIONS,
BY THE WAY.

508
00:21:20,041 --> 00:21:21,834
SO WHEN ARE YOU
COMING TO SEE ME?

509
00:21:21,875 --> 00:21:25,500
...COMPOSERS AND PERFORMERS,
THEY'VE WORKED VERY HARD
THIS SUMMER.

510
00:21:25,542 --> 00:21:28,041
AND NOT ONLY ARE THEY
PLAYING FOR YOU,

511
00:21:28,083 --> 00:21:29,834
THEY ARE COMPETING
FOR A CHANCE...

512
00:21:29,875 --> 00:21:31,041
SORRY I'M LATE.

513
00:21:31,083 --> 00:21:32,875
-WHERE'S MONTE?
-SHE LEFT.

514
00:21:32,917 --> 00:21:34,041
WHY?

515
00:21:34,083 --> 00:21:35,542
WE BROKE UP.

516
00:21:35,583 --> 00:21:37,000
HM.

517
00:21:38,083 --> 00:21:41,709
OUR FIRST PERFORMER
IS CELLIST TORI PHILLIPS.

518
00:21:46,583 --> 00:21:48,000
♪♪

519
00:21:53,709 --> 00:21:56,625
HEY, UH,
WHAT'D YOU DECIDE
ON JOE OLSEN?

520
00:21:57,959 --> 00:21:59,500
UH, I BROUGHT HIM IN.

521
00:22:00,667 --> 00:22:02,041
-OH, YEAH?
-MM-HMM.

522
00:22:02,083 --> 00:22:03,583
DID YOU GET
ANYTHING OUT OF HIM?

523
00:22:03,625 --> 00:22:05,625
NOPE. NO, I THINK
YOU'RE RIGHT.

524
00:22:05,667 --> 00:22:08,041
THERE'S NO WAY TO CONNECT
HIM TO THE GUY IN THE BUS.

525
00:22:08,083 --> 00:22:09,959
MY THEORY'S A LITTLE
OUT THERE, YOU KNOW.

526
00:22:11,083 --> 00:22:12,083
WHAT?

527
00:22:12,125 --> 00:22:13,542
HM?

528
00:22:13,583 --> 00:22:14,667
WHAT'S WRONG?

529
00:22:14,709 --> 00:22:17,083
I'M JUST NERVOUS
ABOUT BRANDON.

530
00:22:18,125 --> 00:22:22,583
OKAY. CERTAINLY NOT AS
NERVE RACKING AS IT WAS WHEN
HE WAS PERFORMING THOUGH, RIGHT?

531
00:22:22,625 --> 00:22:23,917
YEAH.

532
00:22:28,250 --> 00:22:30,000
♪♪

533
00:22:45,625 --> 00:22:46,750
♪♪

534
00:22:51,041 --> 00:22:52,792
(cheers and applause)

535
00:22:56,792 --> 00:22:58,000
(gasps)

536
00:22:58,041 --> 00:22:59,250
WHAT?

537
00:22:59,291 --> 00:23:01,000
MAT.

538
00:23:02,083 --> 00:23:03,250
WHAT'S HE DOING HERE?

539
00:23:03,291 --> 00:23:06,125
OUR NEXT COMPOSER IS
BRANDON FOSTER,

540
00:23:06,166 --> 00:23:09,709
AND YOU MAY RECOGNIZE
HIS PIANIST, JIN CHANG.

541
00:23:15,750 --> 00:23:20,250
ALTHOUGH I'M ON THE COMPOSING
TRACK AT IDYLLWILD,

542
00:23:20,291 --> 00:23:23,208
I DECIDED TO PLAY
MY OWN PIECE.

543
00:23:23,250 --> 00:23:26,667
I REALIZE THAT I MIGHT BE
DISQUALIFIED FROM
THE COMPETITION,

544
00:23:26,709 --> 00:23:29,792
BUT I DIDN'T COME UP HERE
TO IDYLLWILD TO WIN.

545
00:23:29,834 --> 00:23:33,041
I CAME HERE TO LEARN
FROM MY TEACHERS

546
00:23:33,083 --> 00:23:34,709
AND FROM MY PEERS,

547
00:23:34,750 --> 00:23:36,917
NOT TO COMPETE
AGAINST THEM.

548
00:23:36,959 --> 00:23:38,166
WHAT'S HE DOING?

549
00:23:38,208 --> 00:23:40,041
KICKING SOME ASS.

550
00:23:40,083 --> 00:23:42,041
I HAD A HARD TIME THIS SUMMER

551
00:23:42,083 --> 00:23:44,750
BECAUSE I GOT ALL CAUGHT UP

552
00:23:44,792 --> 00:23:47,709
IN TRYING TO PROVE
THAT I BELONGED HERE,

553
00:23:47,750 --> 00:23:51,000
THAT I LOST THE JOY
OF MAKING MUSIC.

554
00:23:52,333 --> 00:23:54,166
I'D LIKE TO RECLAIM THAT NOW,

555
00:23:54,208 --> 00:23:56,750
AND DO WHAT I LOVE MOST.

556
00:23:56,792 --> 00:23:58,125
PERFORM.

557
00:24:08,875 --> 00:24:10,083
WHAT'S HE DOING?

558
00:24:10,125 --> 00:24:12,875
Woman: IS HE CAPABLE
OF PLAYING HIS OWN PIECE?

559
00:24:12,917 --> 00:24:15,000
Man: QUITE A LOOPING
PEDAL HE HAS.

560
00:24:17,875 --> 00:24:19,834
♪♪

561
00:25:41,458 --> 00:25:43,125
(cheers and applause)

562
00:25:48,458 --> 00:25:51,834
(cheers and applause continue)

563
00:26:09,959 --> 00:26:12,959
♪ I'VE BEEN TRYING
TO FIGURE THIS OUT ♪

564
00:26:13,000 --> 00:26:14,041
HEY.

565
00:26:14,083 --> 00:26:15,166
HEY!

566
00:26:15,208 --> 00:26:19,000
I'M SO PROUD OF YOU, MY BABY.

567
00:26:19,041 --> 00:26:20,041
(babbling)

568
00:26:20,083 --> 00:26:21,875
SHARE HIM WITH ME.
CONGRATULATIONS.

569
00:26:21,917 --> 00:26:23,041
OH!

570
00:26:23,083 --> 00:26:24,500
YOU WERE AWESOME.

571
00:26:24,542 --> 00:26:26,041
HEY!

572
00:26:26,083 --> 00:26:27,542
I COULDN'T HAVE DONE IT
WITHOUT YOU, MAN.

573
00:26:27,583 --> 00:26:29,041
YOU WERE BRILLIANT.

574
00:26:29,083 --> 00:26:30,208
YEAH. (giggles)

575
00:26:32,083 --> 00:26:34,041
IT WAS REALLY NICE
OF YOU TO COME OUT
AND SUPPORT BRANDON.

576
00:26:34,083 --> 00:26:35,417
YEAH, WELL--

577
00:26:35,458 --> 00:26:37,041
-ARE YOU--
-I'VE GOTTA...

578
00:26:37,083 --> 00:26:38,542
HIT THE ROAD. SO...

579
00:26:38,583 --> 00:26:39,834
OH, YOU'RE...

580
00:26:39,875 --> 00:26:40,917
YEAH.

581
00:26:40,959 --> 00:26:43,041
WELL, DRIVE SAFELY.

582
00:26:43,083 --> 00:26:44,291
I WILL.

583
00:26:44,333 --> 00:26:46,083
SEE YA, MARIANA.

584
00:26:46,125 --> 00:26:47,875
SEE YA.

585
00:26:49,250 --> 00:26:50,917
HEY.

586
00:26:52,041 --> 00:26:53,083
I'M SO PROUD OF YOU.

587
00:26:53,125 --> 00:26:54,834
THANKS, DAD.

588
00:26:54,875 --> 00:26:56,041
THAT WAS DOPE, MAN.

589
00:26:56,083 --> 00:26:58,083
THANK YOU. I HEARD
YOU MOVED IN.

590
00:26:58,125 --> 00:26:59,917
-YEAH.
-YEAH.

591
00:26:59,959 --> 00:27:01,875
WELL, HE'S A GOOD DAD.

592
00:27:01,917 --> 00:27:03,500
HE'LL BE A GOOD
FOSTER DAD, TOO.

593
00:27:03,542 --> 00:27:08,000
AND, UH... YOU KNOW,
I'LL TRY TO BE A GOOD
FOSTER BROTHER.

594
00:27:08,041 --> 00:27:09,959
I APPRECIATE THAT.

595
00:27:13,417 --> 00:27:15,041
BRANDON, THAT WAS INCREDIBLE.

596
00:27:15,083 --> 00:27:17,041
I DON'T UNDERSTAND HOW--

597
00:27:17,083 --> 00:27:18,792
YEAH, IT'S LIKE A LOOPER.

598
00:27:18,834 --> 00:27:21,041
IT'S LIKE A LOOPING MACHINE.
ESSENTIALLY, YOU CAN PUT
MULTIPLE TRACKS...

599
00:27:21,083 --> 00:27:23,333
CAN I TALK TO YOU
FOR A SECOND?

600
00:27:23,375 --> 00:27:24,959
YEAH.

601
00:27:25,000 --> 00:27:27,083
UM, I JUST GOT AN EMAIL.

602
00:27:28,291 --> 00:27:33,000
IT LOOKS LIKE THE D.A. IS GONNA
BE CHARGING RITA WITH ASSAULT
AND ABUSE OF A MINOR.

603
00:27:33,041 --> 00:27:34,834
I'M SORRY.

604
00:27:36,000 --> 00:27:37,375
-HEY. I'M TAKING OFF.
-HEY.

605
00:27:37,417 --> 00:27:40,041
OKAY, HOLD ON A SECOND.
I WILL BE RIGHT BACK.

606
00:27:40,083 --> 00:27:41,041
OKAY?

607
00:27:41,083 --> 00:27:43,417
-COME HERE.
-MM-HMM.

608
00:28:32,208 --> 00:28:34,000
SO WHAT'S GOING ON?

609
00:28:35,583 --> 00:28:37,333
I'M SORRY, I DON'T--

610
00:28:37,375 --> 00:28:39,625
I DON'T WANT TO BE
SUCH A BUMMER.

611
00:28:39,667 --> 00:28:42,041
IT'S OKAY. WHAT HAPPENED?

612
00:28:42,083 --> 00:28:44,041
I DON'T KNOW IF
I SHOULD TELL YOU THIS.

613
00:28:44,083 --> 00:28:45,041
WHAT?

614
00:28:45,083 --> 00:28:49,000
MONTE AND I BROKE UP BECAUSE...

615
00:28:49,041 --> 00:28:51,125
SHE HAS FEELINGS
FOR SOMEBODY ELSE.

616
00:28:51,166 --> 00:28:54,333
OH, HONEY. WHO?

617
00:29:06,458 --> 00:29:08,041
THAT TOOK A LOT OF BALLS,

618
00:29:08,083 --> 00:29:10,000
AND YOUR PIECE
IS AMAZING.

619
00:29:10,041 --> 00:29:12,000
THANK YOU,
BUT YOU'RE GONNA WIN.

620
00:29:12,041 --> 00:29:14,500
WELL, YOU WON
THE MORAL VICTORY.

621
00:29:16,667 --> 00:29:19,417
IF I COULD PLEASE
HAVE EVERYONE'S ATTENTION AGAIN.

622
00:29:19,458 --> 00:29:22,083
THE JUDGES HAVE MADE
THEIR FINAL DECISIONS.

623
00:29:22,125 --> 00:29:25,000
I WILL START WITH
THE WINNING COMPOSER.

624
00:29:26,083 --> 00:29:28,041
THE COMPOSER AND PIANIST

625
00:29:28,083 --> 00:29:30,625
WHO WILL BE PERFORMING
AT DISNEY HALL...

626
00:29:32,625 --> 00:29:34,041
IS BRANDON FOSTER.

627
00:29:34,083 --> 00:29:35,417
-OH, MY GOD!
-BRANDON!

628
00:29:35,458 --> 00:29:37,542
-(cheers and applause)
-BRANDON!

629
00:29:40,083 --> 00:29:41,250
OH, MY GOD!

630
00:29:41,291 --> 00:29:43,417
I'M SO PROUD OF YOU, MY BABY.

631
00:29:53,709 --> 00:29:56,041
HOW ARE THE DESIGNATED DRIVERS?

632
00:29:56,083 --> 00:29:58,208
YOU'RE THE DESIGNATED DRIVER.

633
00:29:58,250 --> 00:30:01,041
MOMS LEFT US UP HERE
TO KEEP AN EYE ON BRANDON,

634
00:30:01,083 --> 00:30:03,583
MAKE SURE HE DOESN'T
OVER-CELEBRATE.

635
00:30:03,625 --> 00:30:05,583
IT'S WEIRD THEY WENT HOME.

636
00:30:05,625 --> 00:30:07,583
I MEAN, I GET IT.

637
00:30:07,625 --> 00:30:10,041
YOU KNOW, WHEN YOU'RE NOT
FEELING WELL, YOU JUST WANT
TO BE IN YOUR OWN BED.

638
00:30:10,083 --> 00:30:13,041
UGH. I WANNA BE IN MY OWN BED.

639
00:30:13,083 --> 00:30:14,291
I'M SO BORED--

640
00:30:14,333 --> 00:30:15,667
AH, MARIANA.

641
00:30:15,709 --> 00:30:17,041
HEY.

642
00:30:17,083 --> 00:30:19,000
CAN I TALK TO YOU?

643
00:30:20,083 --> 00:30:21,417
HOW BORED ARE YOU NOW?

644
00:30:32,500 --> 00:30:34,041
I THOUGHT YOU LEFT.

645
00:30:34,083 --> 00:30:35,542
I DID,

646
00:30:35,583 --> 00:30:38,041
BUT THEN I TURNED AROUND
AND CAME BACK.

647
00:30:39,083 --> 00:30:40,041
FOR WHAT?

648
00:30:40,083 --> 00:30:41,792
I KNOW WHY
YOU BROKE UP WITH ME.

649
00:30:41,834 --> 00:30:44,041
WHEN I EXTENDED THE TOUR,

650
00:30:44,083 --> 00:30:46,709
I MADE YOU FEEL LIKE THAT
WAS MORE IMPORTANT TO ME
THAN YOU.

651
00:30:48,125 --> 00:30:49,542
BUT NOTHING'S MORE IMPORTANT.

652
00:30:50,834 --> 00:30:53,166
I WANT TO SPEND THE REST
OF THE SUMMER WITH YOU
IF IT'S NOT...

653
00:30:54,542 --> 00:30:56,000
TOO LATE.

654
00:31:01,250 --> 00:31:02,583
HEY.

655
00:31:02,625 --> 00:31:04,583
YOU HAVING FUN?

656
00:31:04,625 --> 00:31:06,083
YEAH. I GUESS,

657
00:31:06,125 --> 00:31:07,792
YOU DRUNK?

658
00:31:07,834 --> 00:31:10,041
NO, NO, NO.
I'M JUST PRETENDING.

659
00:31:10,083 --> 00:31:12,458
I DIDN'T WANT TO RUIN
HOW GOOD I FEEL.

660
00:31:12,500 --> 00:31:14,208
WELL, YOU DESERVE IT.

661
00:31:15,667 --> 00:31:17,125
YOU KNOW, YOU WORKED
REALLY HARD.

662
00:31:17,166 --> 00:31:19,500
YOUR COMPOSITION WAS BEAUTIFUL.

663
00:31:19,542 --> 00:31:21,667
I COULDN'T HAVE WRITTEN
IT A YEAR AGO.

664
00:31:33,208 --> 00:31:35,083
SO WE HAVEN'T TALKED
ABOUT A.J.

665
00:31:35,125 --> 00:31:36,667
IT'S NONE OF MY BUSINESS
WHO YOU DATE.

666
00:31:36,709 --> 00:31:38,083
I'M NOT DATING HIM.

667
00:31:38,125 --> 00:31:41,000
OKAY, WELL, KISS
ON YOUR BIRTHDAY THEN.

668
00:31:45,166 --> 00:31:46,083
HEY, CAN I ASK
YOU SOMETHING?

669
00:31:47,166 --> 00:31:49,041
DID YOU COME TO GIRLS UNITED

670
00:31:49,083 --> 00:31:50,166
THE OTHER NIGHT?

671
00:31:50,208 --> 00:31:51,625
NO.

672
00:31:51,667 --> 00:31:53,041
WHY?

673
00:31:53,083 --> 00:31:56,000
I JUST, UM--
I THOUGHT I SAW
YOUR CAR OUTSIDE.

674
00:32:07,917 --> 00:32:09,917
(soft music plays)

675
00:32:13,875 --> 00:32:15,375
HEY, SO...

676
00:32:15,417 --> 00:32:17,333
I'M KIND OF EMBARRASSED
TO TELL YOU THIS.

677
00:32:17,375 --> 00:32:18,625
WHAT?

678
00:32:20,166 --> 00:32:24,208
THE REASON WHY I DIDN'T WANT
TO HAVE SEX WITH YOU

679
00:32:24,250 --> 00:32:26,667
WASN'T JUST BECAUSE
I WAS LEAVING.

680
00:32:30,250 --> 00:32:32,041
I WANTED IT
TO BE SPECIAL.

681
00:32:33,792 --> 00:32:35,208
I KNOW.

682
00:32:35,250 --> 00:32:36,375
YOU TOLD ME THAT.

683
00:32:36,417 --> 00:32:38,000
YEAH, BUT I DIDN'T
TELL YOU WHY.

684
00:32:39,166 --> 00:32:42,583
I'VE... NEVER HAD
SEX BEFORE.

685
00:32:45,333 --> 00:32:48,208
I WANT MY FIRST TIME
TO BE WITH THE RIGHT GIRL.

686
00:32:50,208 --> 00:32:53,291
AND I WANTED US TO LOSE
OUR VIRGINITY TOGETHER.

687
00:32:54,625 --> 00:32:56,166
YOU KNOW?

688
00:32:56,208 --> 00:32:57,917
SOMEWHERE ROMANTIC.

689
00:32:59,667 --> 00:33:01,291
LIKE HERE.

690
00:33:02,917 --> 00:33:04,583
LIKE NOW.

691
00:33:08,250 --> 00:33:10,166
IF YOU WANT TO.

692
00:33:22,792 --> 00:33:24,125
WHAT'S WRONG?

693
00:33:26,500 --> 00:33:28,125
I'M NOT A VIRGIN.

694
00:33:34,625 --> 00:33:36,834
BUT YOU... YOU TOLD ME--

695
00:33:36,875 --> 00:33:38,417
I WAS, BUT...

696
00:33:39,834 --> 00:33:41,500
I HAD SEX
WITH SOMEONE ELSE.

697
00:33:52,041 --> 00:33:53,166
WHEN?

698
00:33:55,041 --> 00:33:56,792
WHEN WE WERE STILL TOGETHER.

699
00:34:10,333 --> 00:34:11,750
THANKS FOR DOING THIS.

700
00:34:11,792 --> 00:34:13,500
NO PROBLEM.
WHAT AM I LOOKING FOR?

701
00:34:13,542 --> 00:34:17,375
ANY PRINTS OFF THE PEN
THAT MATCH THE ONES ON
A HIT-AND-RUN VEHICLE.

702
00:34:17,417 --> 00:34:19,291
CASE NUMBER'S ON THE BAG.

703
00:34:19,333 --> 00:34:21,375
OKAY. IT MIGHT TAKE
A FEW DAYS.

704
00:34:21,417 --> 00:34:23,000
NO PROBLEM.
APPRECIATE IT.

705
00:34:23,041 --> 00:34:24,333
ALL RIGHT,
YOU GOT IT.

706
00:34:28,792 --> 00:34:30,041
HONEY?

707
00:34:30,083 --> 00:34:31,542
IN HERE.

708
00:34:31,583 --> 00:34:33,000
OH.

709
00:34:34,208 --> 00:34:35,709
WHAT ARE YOU
DOING IN HERE?

710
00:34:37,291 --> 00:34:38,875
WAITING FOR YOU.

711
00:34:40,208 --> 00:34:42,208
DOES YOUR HEAD STILL HURT?
ARE YOU OKAY?

712
00:34:43,667 --> 00:34:45,250
YEAH, MY HEAD IS FINE.

713
00:34:46,458 --> 00:34:49,834
I JUST DIDN'T WANT TO RUIN
BRANDON'S DAY.

714
00:34:49,875 --> 00:34:51,250
WHY WOULD YOU RUIN IT?

715
00:34:57,291 --> 00:34:59,208
ARE YOU HAVING
AN AFFAIR WITH MONTE?

716
00:35:00,083 --> 00:35:02,041
-NO.
-ARE YOU IN LOVE
WITH HER?

717
00:35:02,083 --> 00:35:03,458
NO!

718
00:35:05,333 --> 00:35:08,250
SO THERE'S NOTHING
GOING ON BETWEEN
THE TWO OF YOU?

719
00:35:08,291 --> 00:35:10,375
WHY ARE YOU
ASKING ME THAT?

720
00:35:10,417 --> 00:35:12,208
WHY DON'T YOU
JUST ANSWER ME?

721
00:35:12,250 --> 00:35:13,750
THERE'S NOTHING
GOING ON.

722
00:35:15,250 --> 00:35:16,750
WHAT ABOUT
WHEN YOU KISSED?

723
00:35:22,333 --> 00:35:24,667
I DID NOT KISS HER.

724
00:35:24,709 --> 00:35:26,417
SHE KISSED ME.

725
00:35:26,458 --> 00:35:27,792
(sighs) WHY DIDN'T
YOU TELL ME?

726
00:35:27,834 --> 00:35:29,291
BECAUSE I DIDN'T
WANT TO UPSET YOU.

727
00:35:30,709 --> 00:35:33,375
YOU KNOW, I FEEL LIKE
AN ABSOLUTE IDIOT.

728
00:35:33,417 --> 00:35:35,250
I'VE HAD THAT WOMAN
IN OUR HOUSE--

729
00:35:35,291 --> 00:35:36,667
NOTHING IS GOING ON.
NOTHING HAS EVER
GONE ON.

730
00:35:38,875 --> 00:35:40,709
HOW ABOUT IN FRONT OF
THE FIRE, LAST NIGHT,

731
00:35:40,750 --> 00:35:42,041
JUST THE TWO OF YOU?

732
00:35:42,083 --> 00:35:43,667
NO.

733
00:35:43,709 --> 00:35:45,250
WELL, JENNA SAID THAT
SHE THINKS MONTE'S
IN LOVE WITH YOU,

734
00:35:45,291 --> 00:35:46,625
AND THAT'S WHY
THEY BROKE UP.

735
00:35:46,667 --> 00:35:47,917
OH, GOD.

736
00:35:47,959 --> 00:35:49,375
JENNA IS BEING PARANOID.

737
00:35:51,000 --> 00:35:53,041
MONTE MAY NOT BE IN LOVE
WITH HER, BUT IT'S NOT BECAUSE
SHE'S IN LOVE WITH ME.

738
00:35:53,083 --> 00:35:55,375
YOU KNOW, IT'S REALLY INCREDIBLE
BECAUSE YOU'VE GIVEN ME

739
00:35:55,417 --> 00:35:57,333
SUCH A HARD TIME ABOUT
KEEPING THINGS FROM YOU.

740
00:35:58,625 --> 00:36:00,375
YOU KNOW, EVEN IN THERAPY.

741
00:36:00,417 --> 00:36:02,750
AND YET, HERE YOU ARE
SITTING ON THE MOTHER
OF ALL SECRETS.

742
00:36:02,792 --> 00:36:04,041
IT WAS A KISS.

743
00:36:04,083 --> 00:36:05,583
IT LASTED A SECOND.

744
00:36:07,458 --> 00:36:09,291
I WAS SURPRISED,
I PULLED AWAY,

745
00:36:09,333 --> 00:36:11,375
AND I MADE IT VERY CLEAR
TO HER THAT I AM IN LOVE
WITH MY WIFE.

746
00:36:11,417 --> 00:36:13,417
I SHOULD HAVE TOLD YOU
ABOUT IT BECAUSE IT WAS NOTHING.

747
00:36:19,709 --> 00:36:22,000
IF IT WAS NOTHING, I THINK
YOU WOULD HAVE TOLD ME.

748
00:36:34,083 --> 00:36:36,000
MARIANA'S IN HER ROOM, ASLEEP.

749
00:36:36,041 --> 00:36:37,417
IS SHE ALONE?

750
00:36:37,458 --> 00:36:38,500
YEAH.

751
00:36:39,417 --> 00:36:40,709
I WONDER WHAT HAPPENED TO MAT.

752
00:36:41,709 --> 00:36:42,959
I DON'T KNOW,

753
00:36:43,000 --> 00:36:44,500
BUT THEY LEFT
THIS NICE FIRE.

754
00:36:46,500 --> 00:36:49,041
SO THERE'S SOMETHING
I HAVE TO TELL YOU

755
00:36:49,083 --> 00:36:51,959
BEFORE EVERYTHING
HITS THE FAN.

756
00:36:53,041 --> 00:36:54,417
OKAY.

757
00:36:54,458 --> 00:36:57,542
YOU KNOW ABOUT CARMEN
ACCUSING RITA OF HITTING HER?

758
00:36:58,625 --> 00:37:00,000
YEAH.

759
00:37:00,041 --> 00:37:01,208
SO SHE DIDN'T.

760
00:37:01,250 --> 00:37:05,375
AND I HAVE A RECORDING
OF CARMEN ADMITTING
THAT SHE LIED.

761
00:37:05,417 --> 00:37:07,041
I SENT IT TO RITA

762
00:37:07,083 --> 00:37:08,709
TO CLEAR HER.

763
00:37:10,083 --> 00:37:11,750
WELL, THAT'S GOOD, RIGHT?

764
00:37:11,792 --> 00:37:14,000
YEAH. YEAH,
IT'S GOOD FOR RITA.

765
00:37:15,625 --> 00:37:17,500
IT'S NOT SO GOOD FOR ME

766
00:37:18,500 --> 00:37:20,500
OR YOU, SORT OF,

767
00:37:20,542 --> 00:37:22,041
BECAUSE...

768
00:37:22,083 --> 00:37:24,834
CARMEN KNOWS THAT I KISSED YOU

769
00:37:24,875 --> 00:37:26,458
AT THE FUNDRAISER...

770
00:37:28,458 --> 00:37:31,333
AND THAT WE SAW EACH OTHER
WHEN I WAS AT G.U.

771
00:37:32,750 --> 00:37:35,709
AND SHE'S GONNA TELL
MY SOCIAL WORKER EVERYTHING.

772
00:37:35,750 --> 00:37:37,458
CAN'T YOU JUST DENY IT?

773
00:37:37,500 --> 00:37:39,625
YEAH, I CAN.

774
00:37:41,125 --> 00:37:43,500
BUT I DIDN'T DENY IT
IN THE RECORDING.

775
00:37:44,834 --> 00:37:46,583
SO NOW RITA KNOWS TOO.

776
00:37:47,709 --> 00:37:49,458
AND I'M PRETTY MUCH SCREWED.

777
00:37:52,458 --> 00:37:55,000
THE JUDGE WILL NEVER
LET LENA AND STEF ADOPT ME.

778
00:37:56,625 --> 00:37:59,458
AND THEY'RE PROBABLY GONNA
BE A LITTLE MAD AT YOU TOO,

779
00:37:59,500 --> 00:38:01,083
SO, UM...

780
00:38:01,125 --> 00:38:03,417
I'M SORRY ABOUT THAT.

781
00:38:05,750 --> 00:38:08,083
I JUST-- I COULDN'T
LET RITA GO TO JAIL

782
00:38:08,125 --> 00:38:11,917
AND LOSE EVERYTHING THAT
SHE'S WORKED SO HARD FOR.

783
00:38:11,959 --> 00:38:14,500
AND SHE DIDN'T
DO ANYTHING WRONG,

784
00:38:14,542 --> 00:38:16,542
AND THE TRUTH IS, WE DID.

785
00:38:17,875 --> 00:38:19,542
I DID.

786
00:38:22,875 --> 00:38:24,417
I HOPE YOU UNDERSTAND.

787
00:38:26,083 --> 00:38:27,500
(scoffs)

788
00:38:27,542 --> 00:38:29,083
I DON'T CARE ABOUT ME.

789
00:38:30,625 --> 00:38:32,583
WHAT'S GONNA HAPPEN TO YOU?

790
00:38:35,125 --> 00:38:38,125
UM, I CAN'T GO
BACK TO G.U.

791
00:38:39,709 --> 00:38:40,750
SO...

792
00:38:40,792 --> 00:38:42,875
HOPEFULLY, I CAN LIVE
WITH MY DAD.

793
00:38:44,000 --> 00:38:45,750
CALLIE, THERE MUST BE--

794
00:38:45,792 --> 00:38:47,792
NO, IT'S-- JUST
WASN'T MEANT TO BE.

795
00:38:49,250 --> 00:38:50,917
NONE OF IT,

796
00:38:50,959 --> 00:38:53,083
I GUESS, WAS MEANT TO BE.

797
00:38:53,125 --> 00:38:56,500
♪ IT CAME LIKE A CLOUD ♪

798
00:39:00,041 --> 00:39:04,000
♪ COVERED EVERY DOUBT ♪

799
00:39:04,041 --> 00:39:06,041
I WAS OUTSIDE
OF GIRLS UNITED.

800
00:39:06,083 --> 00:39:07,542
♪ DIDN'T EVEN NOTICE ♪

801
00:39:07,583 --> 00:39:09,166
THE OTHER NIGHT.

802
00:39:12,083 --> 00:39:16,500
♪ THAT THE SUN WAS
FADED OUT ♪

803
00:39:17,917 --> 00:39:19,709
♪ SMILING ♪

804
00:39:21,166 --> 00:39:24,083
♪ WILL ONLY SAVE US 
FOR A WHILE ♪

805
00:39:24,125 --> 00:39:26,959
♪ AND WISHING ♪

806
00:39:27,000 --> 00:39:29,750
♪ WON'T HIDE WHAT 
WE'RE MISSING ♪

807
00:39:29,792 --> 00:39:31,750
I THINK WE SHOULD
JUST SAY GOOD NIGHT.

808
00:39:31,792 --> 00:39:36,709
♪ YEAH, I LOVE YOU ♪

809
00:39:38,792 --> 00:39:43,083
♪ BUT I SHOULDN'T 
HAVE SAID IT YET ♪

810
00:39:45,291 --> 00:39:51,041
♪ AND I KNOW YOU FEEL IT TOO ♪

811
00:39:51,083 --> 00:39:56,250
♪ BUT I WAS NEVER GOOD
AT PLAYING HARD TO GET ♪

812
00:39:58,333 --> 00:40:03,542
♪ IF WE COULD FIND A WAY
TO START THE CHASE AGAIN ♪

813
00:40:04,834 --> 00:40:10,208
♪ MIGHT WE DISCOVER THAT
WE CIRCLED AROUND THE BEND ♪

814
00:40:21,125 --> 00:40:24,000
♪ AROUND THE BEND ♪

815
00:40:30,875 --> 00:40:33,000
♪ AROUND THE BEND ♪

816
00:40:45,250 --> 00:40:50,000
♪ YEAH, I LOVE YOU ♪

817
00:40:51,083 --> 00:40:52,500
(sighs)

818
00:40:52,542 --> 00:40:57,000
♪ BUT I SHOULDN'T 
HAVE SAID IT YET ♪

819
00:40:59,083 --> 00:41:05,041
♪ AND I KNOW YOU FEEL IT TOO ♪

820
00:41:05,083 --> 00:41:11,250
♪ BUT I WAS NEVER GOOD
AT PLAYING HARD TO GET ♪

821
00:41:13,709 --> 00:41:18,000
♪ YEAH, I LOVE YOU ♪

822
00:41:20,083 --> 00:41:25,959
♪ BUT I SHOULDN'T 
HAVE SAID IT YET ♪

823
00:41:27,083 --> 00:41:32,000
♪ AND I KNOW YOU FEEL IT TOO ♪

824
00:41:33,250 --> 00:41:37,875
♪ BUT I WAS NEVER GOOD
AT PLAYING HARD TO GET ♪

825
00:41:39,792 --> 00:41:44,709
♪ IF WE CAN FIND A WAY
TO START THE CHASE AGAIN ♪

826
00:41:46,083 --> 00:41:51,750
♪ MIGHT WE DISCOVER THAT
WE CIRCLED AROUND THE BEND ♪

827
00:42:02,083 --> 00:42:08,417
♪ MIGHT WE DISCOVER THAT
WE CIRCLED AROUND THE BEND ♪

828
00:42:17,875 --> 00:42:19,750
♪♪
NOTE: This is a transcription of the spoken dialogue and audio, with time-code reference, provided without cost for your entertainment, convenience, and study.  This version may not be exactly as written in the original script; however, the intellectual property is still reserved by the original source and may be subject to copyright.

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The Fosters stars Teri Polo; Sherri Saum; Hayden Byerly; David Lambert; Maia Mitchell; Cierra Ramirez; Danny Nucci; Amanda Leighton; Noah Centineo; Jake T. Austin; Jordan Rodrigues; Alexandra Barreto; Tom Williamson; Annika Marks; Daffany McGaray Clark; Alex Saxon; Gavin MacIntosh; Elliot Fletcher, and more!

About the Author

I used to be the guy who did that thing on the show you never heard of. Now I'm Head Nincompoop here, writing about binge-watching.

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